The Wild Atlantic Way (WAW) is not only one of the world’s longest defined coastal routes, but it is also a magical coastal route that has drawn people to Ireland’s west coast because of the natural beauty of its surrounding landscape, enchanting villages, ancient monuments, and literary heritage that has the potential to attract visitors. Ireland has long been known around the world as a country of great writers, poets, and playwrights, and the Wild Atlantic Way is no exception. The aim of the WAW Literary Performance Model was to create a bespoke and unique literary performance-based model that is economically sustainable in the future and can attract both domestic and international audiences to experience the Wild Atlantic Way’s unique literary heritage.

The Wild Atlantic Way  literary Tourism Framework Model for the Republic of Ireland has been developed by The Western Development Commission.  Literary Producers Dani Gill and Brendan MacEvilly have desiged a model, consisting of two major elements-an original stage show blending literature with music, film and live performance, that will travel to a number of festivals and venues along the Wild Atlantic Way, and a site-specific commissioning project based on lighthouses, that engages stakeholders across the western region and allows regional writers and artists to be part of a unique, national literary offering.

• The key aims of the project were to create a bespoke programme using immersive techniques to engage people (literary enthusiasts and culturally curious) in the literature of the region.
• Collaborate and engage with existing and new partners to provide co-produced literary offerings that enhance literary based experiences in the region.
• Raise public awareness of contemporary literature, promoted domestically and internationally.
• Engage writers regionally to be part of a paid collaboration, and stimulate legacy for the project through attracting stakeholders.
• Produce a site specific work that can be launched by a major festival but that can also continue to happen in certain locations after the festival events in a self-guided fashion.

The Wild Atlantic Way (WAW) Literary Performance Model focuses on enhancing and complementing the Wild Atlantic Way’s existing tourism product and its wealth of literary assets through immersive and creative performance-based activity. The model offers opportunities for the connection between physical spaces and literary works to be exploited through performance (song, dance, art, etc.) that allows visitors to feel as if they have ‘jumped into’ the related literary work, thereby stimulating enriched visits and increased business opportunities.

The WAW Literary Performance Model focuses on modern literature, but it can be applied to a broad range of literature. Find Out More About The two literary performance Models, The Lighthouse Project and The Alphabet of Birds. 

 

February 2022 marks the centenary of the publication of Ulysses a significant date in Irish and world literature. Spot-lit.eu partner, Artisan House inaugural literary tourism event entitled ‘Mid-week break with Buck Mulligan’ will take place over a two-night retreat in Renvyle House Hotel on Wednesday, 23rd and Thursday, 24th March, 2022.  The 2-night break will include B&B on both nights and a 5-course dinner on the evening of 24th March; a performance of ‘Nora’ by Curlew Theatre Company on the 23rd March, a workshop led by Ray Burke, author of Joyce County, and a 5-course meal on the evening of 24th March. Hosts will be Mary Ruddy & Vincent Murphy of Artisan House and Books at One bookshop, Letterfrack.  For more information, visit www.artisanhouse.ie or email artisanhouseeditions@gmail.com.

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Writers have long been drawn to Connemara, W.B. Yeats with his new wife Georgia, spent their honeymoon at Renvyle House, the country house of Oliver St John Gogarty. Gogarty played host to countless distinguished friends including Augustus John and W.B. Yeats whose Noh play was first performed in the Long Lounge there.

Oliver St John Gogarty, himself a writer, poet, politician and raconteur is probably most celebrated now as Joyce’s model for Buck Mulligan in Ulysses. Indeed, the novel’s very first four words ‘Stately, plump Buck Mulligan’ refer to Oliver St John Gogarty then proprietor of Renvyle House Hotel, and sometimes friend of James Joyce. Today he is probably remembered mostly as Buck Mulligan in Ulysses.

Louis MacNeice, Irish poet and playwright whose father John Frederick MacNeice, was born on Omey Island, that most desolate and haunting of Connemara places. His father’s father, William MacNeice from Sligo, was the schoolteacher in Omey.  Nearby Claddaghduff is where MacNeice mother  Elizabeth Clisham, was born.

Cleggan was home to Richard Murphy, the distinguished Irish poet who was born in at Milford House, near Shrule on the Mayo-Galway border, into an Anglo-Irish family.  Murphy devoted his life to a poetry that sought to reconcile Ireland’s and his own two traditions. He established his reputation with The Last Galway Hooker, a poem inspired by his experience of buying and restoring a sailing boat of traditional design. He started a fishing and tourism business in Cleggan and in 1969 he purchased High Island where he could work in solitude.

Oscar Wilde’s parents, Sir William and Lady Jane Wilde, had a hunting lodge close to Rosroe, the small fishing village where Wittgenstein wrote some of his seminal philosophical work and referred to the area as ‘the last pool of darkness’ – subsequently used as a book title by Tim Robinson. Rosroe is also where Richard Murphy spent his first period in Letterfrack, although he is now associated more strongly with Cleggan, Inishbofin and High Island.

 

 

Anthony Raftery (Ó Raifteirí) – 1779-1835 – was born, one of ten children, in the townland of Cill Aodáin, Kiltimagh on the estate of the, then, landlord, Frank Taaffe. When Raftery was about ten, disaster struck when nine of his siblings died of smallpox and he lost his sight. It is said the last thing he saw was his nine siblings laid out on the floor. Friar Taffee, Frank’s uncle, is said to have seen to Raftery’s basic education.

The story goes that Raftery was banished after a dispute with the landlord when he was about twenty-four. He was to spend the rest of his life in south and east Galway where he lived from his poetry and his fiddle. He was partial to a drink and to such beauties as Breedeen Vasey and Máire Ní hEidhin. Among other things, Raftery wrote about his support of the ‘Whiteboys’ and for this he was charged with sedition in Galway.

Lady Gregory of Coole Park, first heard of Raftery about the year 1900  when visiting the workhouse in Gort. She overheard two old women arguing about the relative merits of poets from the area. Raftery was mentioned and thus began her research into his life and work. With the aid of WB Yeats, Edward Martyn and residents of the Gort area, she had a headstone erected to his memory in Killeeneen graveyard, where he is buried.

None of his poetry was written down but it remained in folk memory until it was collected by Douglas Hyde (The first president of Ireland) around the beginning of the 20^th Century. Lady Gregory and Hyde visited Cill Aodáin on several occasions and with the help of local man, Thady Conlon, they translated his work and collected stories and legends relating to his early life.

His work covered a very broad spectrum: poetry on love, religion and aspects of political life. Among his most enduring poems are Eanach Chuin and Cill Aodáin. In Cill Aodáin, he sings the praises of his birthplace and eulogizes about returning – which sadly, he never does.

”The awareness of Anthony Raftery (1779 to 1835) has always been in the air around Cill Aodáin, Kiltimagh, so when a Raftery committee, Kiltimagh Tourism and the Tidy Towns team put their heads together, the idea of, symbolically, returning Raftery to his place of birth, became an exciting and meaningful project. It was felt that promoting the Raftery legend and tradition could be of huge economic benefit to the town and surrounding area.

We were aware from his writings and poems of his love for Mayo and his home in Cill Aodain Kiltimagh. Everybody in Ireland probably learned the poem (song) “Cill Aodain” in school. It was used in Riverdance and was considered one of Raftery’s greatest pieces. In the poem he describes his longing to come back to Cill Aodain and the journey he would take on his return.

On the route he’d dreamed of returning in his poem, he will be returned by a group of cyclists via Claremorris, Balla and Ballinamore – who will undertake the 100 kilometre journey from his grave in Killeeneen County Galway to his birthplace in Cill Aodain, Kiltimagh. More and more cyclists will join the group in Claremorris, Balla and Ballinamore, and when they get to Kiltimagh, they will escort Raftery in a horse and carriage to the market square – here, with great jubilation, he will be welcomed in poetry and song.

 

Raftery Returns Arts & Poetry Festival Programme – March 25th to 30th  2022

Friday March 25th

• Sean Keane Concert in The Park Hotel Kiltimagh.
• Doors Open at 7pm. Show starts 7.45pm Sharp.
• Tickets €20. Available at The Park Hotel, Ryans Bar, Teach O Hora or any committee member or call Martin 087 3501626.
• 30 pm: Open Mic and Music in Teach O’Hora.

Saturday March 26th

Writing Workshop

• 10am to 11.30am: creative writing workshop with Terry McDonagh and Gabriel Fitzmaurice in The Parish Hall, Kiltimagh.
• 11.45 to 1pm: publisher Alan Hayes (Arlen House) talks on publishing in Ireland today.

Literary walk through Killedan

The intention of The Raftery Returns Arts festival is to promote the memory and work of the blind bard. As part of the festival on Saturday 26th March a bus will collect those interested at the Market Square and bringing them to Kileadan. Our own poet Terry McDonagh, a Killedan native, will lead a group through the townland pointing out landmarks and sharing poems and lore relating to Raftery and the area. Places of interest such as Lios Ard (The High Fort) where Raftery got the gift of poetry will be pointed out – as will the contribution of the McManus family of Killedan House to the awareness of Raftery. Lottie McManus, a prolific author, established The Gaelic League in the area. Lady Gregory and Douglas Hyde visited when researching Raftery on several occasions. Their main source of information on Raftery’s early life in Killedan, was bard and teacher, Thady Conlon, who is buried in Killedan graveyard. He was Terry McDonagh’s great grandfather.
When the walk is over the bus will return to the Market Square.

• Bus leaves the Market Square at 3pm.
• Poets, Terry McDonagh, Gabriel Fitzmaurice, Colette Nic Aodha and others…
• Ending with readings and music in the Cill Aodain graveyard.

Music Comedy & Poetry at the Theatre

• Doors open at 7.15pm. Admission €10. in The Town Hall Theatre: an evening of music, poetry readings with acclaimed poets, Gabriel Fitzmaurice and Colette Nic Aodha…also with special guest comedian and unforgettable entertainer, Aindrias De Staic.
• Afterwards, all come back to Kitty’s for open mic session.

Sunday March 27th 

Raftery Returns Cycle

When planning the Raftery Returns Arts festival, the committee were interested in connecting the two communities where Raftery was buried in Kileeneen Graveyard near Croughwell in County Galway to Kiltimagh where he was born. We were aware from his writings and poems of his love for Mayo and his home in Cill Aodain Kiltimagh. Everybody in Ireland probably learned the poem (song) “Cill Aodain” in school. It was used in Riverdance and was considered one of Raftery’s greatest pieces. In the poem he describes his longing to come back to Cill Aodain and the journey he would take on his return.

When the spring comes, and the days get longer after St Brigid’s day.
To Kiltimagh I will go and I will not stop until I sit down in County Mayo.

He talks about spending his first night in Claremorris and Balla where he will have a drink.
Then he will head for Kiltimagh where he will spend a month and visit Ballinamore House which is just two miles away.
He says he will then travel to his home in Cill Aodain where everything grows and he will be happy among his own people.

We decided that a cycle from his grave in Kileeneen to Kiltimagh (100K) would be an ideal way to connect the two areas. In doing so we decided to take the route he has outlined in his poem.

• 100k cycle from Raftery’s grave in Killeeneen Co. Galway to his birthplace in Kiltimagh – following his journey in his famous poem Cill Aodain.
• Elite cyclists will cycle from his grave that morning to Claremorris arriving at 1pm where they will by joined by all cycling enthusiasts. Further stops at Balla and Ballinamore Gates before arriving in Kiltimagh at 3pm.
• A symbolic parade will take place from Keane’s Garage to the Market Square led by a horse and trap carrying Raftery.

Antaine Ó Raifteirí 1784-1835 “Anois teacht an Earraigh beidh an lá dúl chun shíneadh, Is tar eis na féil Bríde ardóigh mé mo sheol. Go Coillte Mach rachad ní stopfaidh me choíche Go seasfaidh mé síos i lár Chondae Mhaigh Eo.” I gClár Chlainne Mhuiris A bheas mé an chéad oíche, Is I mballa taobh thíos de A thosós mé ag ól Go Coillte Mách rachad Go ndéanfad cuairt mhíosa ann I bhfogas dhá mhíle Do Bhéal an átha Mhóir. Fágaim le huacht é go n-éiríonn mo chroí-se Mar a éiríonn an ghaoth nó mar a scaipeann an ceo Nuair a smaoiním ar Cheara nó ar Ghaileang taobh thíos de Ar Sceathach an Mhíle nó ar phlánaí Mhaigh Eo. Cill Aodáin an baile a bhfásann gach ní ann, Tá sméara is subh craobh ann is meas de gach sórt, Is dá mbéinnse i mo sheasamh i gceartlár mo dhaoine D’imeodh an aois díom is bheinn arís óg. Bíonn cruithneacht is coirce, fás eorna is lín ann, Seagal i gcraobh ann, arán plúir agus feoil, Lucht déanta poitín gan licence á dhíol ann, Móruaisle na tíre ann ag imirt is ag ól. Tá cur agus treabhadh is leasú gan aoileach Is iomaí sin ní ann nár labhair me go fóill, áitheanna is muilte ag obair gan scíth ann, Deamhan caint ar phingin cíosa ná dada dá shórt.

Now with the coming of spring The days will grow longer And after St. Bride’s day’ My sail I’ll let go To Kiltimagh I will go And I never will linger Till I find myself back In the County Mayo.In Claremorrris I will stay the first night and then in Balla below it I will have my first drink. To Kiltimagh  I shall go where I shall make a month of my visit That’s just two miles from Ballinamore.I solemnly swear that the heart in me rises as the wind rises up and the mists break below. When I think about Ceara or  Gaileang down from it, the bushand the mile or the plains of Mayo.Kileadan is my townland where everything grows. There are blackberries and raspberries and every sort of fruit and were I to be standing in the centre of my people age would depart from me and I would be again young.There is wheat and oats barley and flax there, rye in abundance there, flower-bread and meat and folk who make moonshine without a licence or care as the pride of the country are playing and drinking.There is sowing and plowing and fertilizing without manure and it’s many the thing there of which I have not yet spoken: kilns and mills working without rest there with hardly any talk about a penny rent or about nothing of that sort.

Monday March 28th

• 9pm: Basil Burke talk on The McManus Family of Killedan House – in Langan’s Bar.

Tuesday March 29th 

• 9pm: Seamus Corry talk on the history of Kiltimagh GAA – in Ryan’s Bar.

Wednesday March 30th 

• 9pm: Brian McDonagh talks on ancient artifacts discovered in the area – in The Tavern Bar.